By Antero Garcia
Young grownup literature, from The Outsiders to Harry Potter, has assisted in shaping the cultural panorama for teens maybe greater than the other kind of consumable media within the 20th and twenty-first century. With the increase of mega blockbuster motion pictures according to those books in recent times, the younger grownup style is being co-opted by means of curious grownup readers and by means of Hollywood manufacturers. although, whereas the style might be getting extra readers than ever prior to, younger grownup literature is still exclusionary and difficult: few titles characteristic traditionally marginalized members, the books current heteronormative views, and gender stereotypes proceed to persist.
Taking a serious procedure, Young grownup Literature: demanding Genres offers educators, early life librarians, and scholars a collection of options for unpacking, demanding, and reworking the assumptions of a few of the genre's most well-liked titles. Pushing the style ahead, Antero Garcia builds on his studies as a former highschool instructor to supply ideas for integrating younger grownup literature in a latest serious pedagogy by using participatory media.
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Additional info for Critical Foundations in Young Adult Literature: Challenging Genres
From a Marxist perspective, capitalism drives large societal stratification between a minority class that maintains surplus and a majority of society that works as laborers. 14 CAPITALISM, HOLLYWOOD, AND ADULT APPROPRIATION OF YOUNG ADULT LITERATURE For young people, free markets compete for their interests and money. Whoever creates a product that is of interest to young people will, in theory, receive money (and profit) for the services they provide. However, when very few publishers largely control the majority of the YA market, the choices made available to young people are limiting.
First, many of these strange plot decisions seem “cool”: superhuman strength, explosions, and a lengthy reconnaissance mission to rescue Henry are all parts of the book that read quickly and could be easily translated onto the screen in impressive fashion. Secondly, in digging into the intent behind the creation of I Am Number Four, sensical character decisions are secondary to the underlying goal of creating a book that will sell in abundance. If the book’s plot, style, and flat characters all seem a bit formulaic, it is because they largely are.
If the book’s plot, style, and flat characters all seem a bit formulaic, it is because they largely are. Intentionally so. I Am Number Four is an experiment in production. It was overseen and coauthored by James Frey, who came to infamous notoriety in 2006 when online journal The Smoking Gun pointed out that his Oprah-approved memoir, A Million Little Pieces, featured factual inaccuracies (2006). While I do not try to make a direct comparison between these fabrications and the kinds of practices he employs in publishing the I Am Number Four texts, Frey’s view of publishing, authorship, and capturing the public’s interest is noteworthy.