By Stephen Lyng
What do skydiving, mountain climbing, and downhill snowboarding have in universal with stock-trading, unprotected intercourse, and sadomasochism? All are excessive threat objectives. Edgework explores the realm of voluntary risk-taking, investigating the seductive nature of pursuing peril and teasing out the limits among felony and legal habit; unsleeping and subconscious acts; sanity and madness; applicable probability and stupidity. the prestigious members to this assortment profile excessive risk-takers and discover their reports with danger via such issues as juvenile delinquency, highway anarchism, sadomasochism, avant-garde artwork, enterprise hazards, and severe activity.
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Extra info for Edgework: The Sociology of Risk-Taking
182). What they discovered was an event and a subculture in which the everpresent video probe functioned as a powerful tool for creating a multilayered hyperreality. At ﬁrst glance, it would appear that negotiating the practical challenges of jumping off of ﬁxed structures is central to the BASE-jumping enterprise. The challenges include developing the appropriate skills, acquiring and maintaining one’s equipment, gaining access to jump sites, and carefully planning one’s jumps. However, as much as these activities serve as a focal point for collective exchanges within the BASE-jumping network, an equally important part of their collective activity is devoted to producing, exchanging, and observing video recordings and other visual documentation of their edgework achievements.
Business ideologies reﬂected in works such as Thomas Peters’ (1987) Thriving on Chaos promote an image of a rapidly changing world in which business organizations are permanently in revolution. In Peters’ view, the old order of economics as a business discipline has passed. Although the old economics assumes ﬁxity, predictability, and order, the new global economy is never stable. Today’s customers are tomorrow’s competitors, today’s state-of–the-art is tomorrow’s dinosaur, and today’s bestseller is tomorrow’s loss maker.
Under the inﬂuence of a consumer culture dominated by sophisticated media and merchandizing industries. For Ritzer, however, the collapse of these distinctions occurs within enchanted spaces created for the purposes of marketing consumer goods, spaces that attract people and their money because they offer an escape from the institutional constraints of modern social life. Hence, this analysis accords with the modernist view of postindustrial societies as alienating, rationalized, bureaucratized systems that deform human nature and compel people to look for avenues of escape in pockets of magical experience created by innovative merchants.