By David Simon
From the author of HBO's The Wire, the vintage e-book approximately murder research that turned the foundation for the hit tv show.
The scene is Baltimore. two times each 3 days one other citizen is shot, stabbed, or bludgeoned to loss of life. on the heart of this typhoon of crime is the city's murder unit, a small brotherhood of demanding males who struggle for no matter what justice is feasible in a dangerous world.
David Simon was once the 1st reporter ever to achieve limitless entry to a murder unit, and this electrifying publication tells the real tale of a yr at the violent streets of an American urban. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a commonly white unit; and Tom Pellegrini, an earnest rookie who takes at the year's so much tricky case, the brutal rape and homicide of an eleven-year-old girl.
Originally released fifteen years in the past, Homicide turned the foundation for the acclaimed tv express of an identical identify. This new edition--which incorporates a new advent, an afterword, and photographs--revives this vintage, riveting story in regards to the males who paintings at the darkish part of the yank event.
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Additional resources for Homicide: A Year on the Killing Streets
Sonia follows him and, with her help, Raskolnikov begins his regeneration. Structure The general structure of the novel must be seen in terms of the main character, Raskolnikov. We must keep in mind his dual personality as the controlling idea behind the murder and behind his punishment. Raskolnikov is used as a representative of the modern young Russian intellectual whose fate is intricately bound up in the fate of Russia herself. Therefore the story is a parable of the fate of a nihilistic and skeptical youth in nineteenth century Russia, whose materialism and revolutionary opinions Dostoievsky hated and feared.
As she sank to the floor, he dealt her another and another blow with the blunt side of the ax on the same spot. Then, he lays the ax down by the body and begins to search through her pockets for keys. While searching for the keys, he notices that Alyona Ivanovna wears two crosses, one of cypress wood and one of copper. He takes the keys and also a small leather purse which is stuffed very full. As he searches the rooms, he suddenly hears footsteps in the entrance way. He comes upon Lizaveta staring at her murdered step-sister in horror.
In the dual murder scene, note that Alyona is murdered with the blunt side of the ax and that Lizaveta is murdered with the sharp side of the ax. In this dual murder, he has killed one person who is mean, wicked and cold (Alyona) and a second, Lizaveta, who is warm, friendly, humane and compassionate. Thus, in a figurative manner, the two murders represent the two aspects of Raskolnikov's character. The importance here is that later Raskolnikov seldom thinks of the murder of Lizaveta, but is always troubled about the murder of Alyona.