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By HILDRETH SKILLING

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By HILDRETH SKILLING

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He quotes Roger E. Stoddard: “Whatever they may do, authors do not write books. Books are not written at all. ” Chartier adds: This gap, which is the space in which meaning is constructed, has too often been overlooked, not only by the classical approaches, which consider the work itself as a pure text whose typographical forms do not matter, but also by reception theory . . , which postulates a direct, immediate relationship between the “text” and the reader, between the “textual signals” used by the author and the “horizon of expectation” of those he addresses.

The original text contains all the possible senses and subsequent interpretations” (Spitzer, “En torno” 123). Spitzer and Allen, then, work out a model of the functioning of medieval ethical texts by which the text somehow contains its readers and the act of reading. Allen’s analysis of the medieval ethical poetic remains bound to the idea that the basis of literary (or ethical) inquiry is the literary text, which, through Allen’s discovery of this poetic, is now opened to include the reader or his or her reenactment.

The quirks or ideological program or dialect of the scribe or manuscript sponsor are effaced out of respect for the original authored text. If the manuscript contains “minor” works or “unrelated” works or fragments, although these constitute a manuscript book compiled by medieval readers and handed on to other readers, the context of THE LARGER GLOSS 19 the minor works and fragments is reduced to a few notes in the manuscript description (except on those rare occasions when these works come together to comprise a single-author anthology).

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