Download Refried Elvis: The Rise of the Mexican Counterculture by Eric Zolov PDF

By Eric Zolov

This robust learn indicates how America's largest export, rock and roll, turned a big impression in Mexican politics, society, and tradition. From the coming of Elvis in Mexico through the Fifties to the emergence of a full-blown counterculture circulate via the past due Nineteen Sixties, Eric Zolov makes use of rock and roll to light up Mexican historical past via those charged a long time and into the Nineteen Seventies. This attention-grabbing narrative strains the rechanneling of adlescent energies clear of political protest within the wake of the 1968 pupil stream and into counterculture uprising, often called La Onda (The Wave). Refried Elvis bills for the occasions of 1968 and their aftermath by way of revealing a mounting drawback of patriarchal values, associated either to the event of modernization in the course of the Nineteen Fifties and Sixties and to the boundaries of cultural nationalism as promoted via a one-party state.

Through an engrossing research of tune and picture, in addition to fanzines, newspapers, govt records, corporation reviews, and diverse interviews, Zolov indicates how rock song tradition grew to become a unstable commodity strength, whose construction and intake options have been formed by means of intellectuals, nation enterprises, transnational and native capital, musicians, and fanatics alike. greater than a historical past of Mexican rock and roll, Zolov's learn demonstrates the politicized nature of tradition less than authoritarianism, and provides a nuanced dialogue of the consequences of cultural imperialism that deepens our knowing of gender relatives, social hierarchies, and the very meanings of nationwide identification in a transnational era.

Show description

By Eric Zolov

This robust learn indicates how America's largest export, rock and roll, turned a big impression in Mexican politics, society, and tradition. From the coming of Elvis in Mexico through the Fifties to the emergence of a full-blown counterculture circulate via the past due Nineteen Sixties, Eric Zolov makes use of rock and roll to light up Mexican historical past via those charged a long time and into the Nineteen Seventies. This attention-grabbing narrative strains the rechanneling of adlescent energies clear of political protest within the wake of the 1968 pupil stream and into counterculture uprising, often called La Onda (The Wave). Refried Elvis bills for the occasions of 1968 and their aftermath by way of revealing a mounting drawback of patriarchal values, associated either to the event of modernization in the course of the Nineteen Fifties and Sixties and to the boundaries of cultural nationalism as promoted via a one-party state.

Through an engrossing research of tune and picture, in addition to fanzines, newspapers, govt records, corporation reviews, and diverse interviews, Zolov indicates how rock song tradition grew to become a unstable commodity strength, whose construction and intake options have been formed by means of intellectuals, nation enterprises, transnational and native capital, musicians, and fanatics alike. greater than a historical past of Mexican rock and roll, Zolov's learn demonstrates the politicized nature of tradition less than authoritarianism, and provides a nuanced dialogue of the consequences of cultural imperialism that deepens our knowing of gender relatives, social hierarchies, and the very meanings of nationwide identification in a transnational era.

Show description

Read or Download Refried Elvis: The Rise of the Mexican Counterculture PDF

Similar mexico books

Oaxaca al Gusto: An Infinite Gastronomy (The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere)

Not anyone has performed extra to introduce the realm to the genuine, flavorful cuisines of Mexico than Diana Kennedy. Acclaimed because the Julia baby of Mexican cooking, Kennedy has been an intrepid, indefatigable pupil of Mexican foodways for greater than fifty years and has released numerous vintage books at the topic, together with The Cuisines of Mexico (now to be had within the crucial Cuisines of Mexico, a compilation of her first 3 books), The artwork of Mexican Cooking, My Mexico, and From My Mexican Kitchen.

Dead in Their Tracks: Crossing America's Desert Borderlands

In a single of the most well liked, loneliest spots in the world, John Annerino attached with 4 Mexican nationals decided to move the border illegally. Their selection was once uncomplicated: danger their lives crossing the wilderness for a poorly paid activity in El Norte or remain in Mexico and watch their households starve. Annerino and his partners might have died in that huge, unforgiving land had they no longer shared the water they'd and helped each other with the encouragement that appeared unnecessary on the time.

Battles in the Desert & Other Stories

Seven tales depict harsh realities of lifestyles in city Mexico and the tragedies of early life innocence betrayed.

Alone in Mexico: The Astonishing Travels of Karl Heller, 1845-1848

This quantity is the first-ever English translation of the memoirs of Karl Heller, a twenty-year-old aspiring Austrian botanist who traveled to Mexico in 1845 to assemble specimens. He undergone the Caribbean, lived for a time within the mountains of Veracruz, and journeyed to Mexico urban in the course of the towns of Puebla and Cholula.

Extra info for Refried Elvis: The Rise of the Mexican Counterculture

Example text

Y hasta aqui lleg6. . ' Te lo brindo yo. For a society already attuned to the mambo the gyrating hips of Elvis Presley were scarcely scandalous. Rather, what would ultimately matter to Mexicans was rock 'n' roll's affronts to patriarchal values. Even the valence of singing in English came to have dual meaning: on one hand English conveyed a notion of cosmopolitanism, yet on the other it underscored the dangers of foreign cultural influence on the Mexican family. 1° Rock 'n' roll's early popularity among adults must be seen not only in the broader context of a cultural tradition of incorporating novel dance fashions to suit urban popular tastes but as a reflection of the transforma.

45 This strategy of internationalizing Mexican artists continued throughout the 1960s and was duplicated by the other major record c ~ m p a n i e s . ~ ~ All Mexican performers under contract with CBS Records, for instance, were now considered for an "exploitation plan" to include "globe circling t o ~ r s . " ~And ' in a reflection of the growing significance of the Mexican American population in the United States, in 1962 RCA also initiated another shift in tactics. No longer would distributors have to order directly from the RCA-Victor Mexicana subsidiary.

S. 48 If the record companies are to be credited with the promotion of Mexican music beyond the nation's borders, extending the nation's repertory of rancheras and romantic ballads to such disparate markets as Argentina, Japan, and Holland, at the same time these same companies served as vehicles for the torrent of foreign tunes into the Mexican market. "50 Rock 'n' roll was, of course, part of that torrent, though it was by no means alone. Moreover, access to imports, including rock 'n' roll, was restricted by economics, a fact adjusted somewhat as local pressings accommodated and later displaced such demand.

Download PDF sample

Rated 4.85 of 5 – based on 33 votes