Download The World of Hair Colour: The Art and Techniques of Modern by Daniel Galvin PDF

By Daniel Galvin

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By Daniel Galvin

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Extra info for The World of Hair Colour: The Art and Techniques of Modern Hair Colour

Example text

If the client wants a more drastic colour change to a lighter colour, her natural shade should not be darker than a mousy base for the colour to suit her. If a client with a dark blonde to light ash brown base particularly wants to change to blonde, I would use a strong lightening tint and lift the hair up to six shades lighter-still keeping the natural movement. However, this said, it is important for the colourist to be competent in every type of hair colouring process and, once experienced, you will be able to make your own decisions about the methods you use.

Apply as a first shampoo at the backwash, 27 leaving on the middle lengths and ends for hve minutes and then massage over the entire head tor two minutes. Rinse and shampoo again. Colour Bath During the period between colouring applications, where loss of pigmentation has occurred, I often apply a colour bath which is formulated from equal parts of hair colour, 20 vol. (6%) peroxide and shampoo. This method is far kinder to the hair than re-tinting to add colour between treatments and it is of paramount importance to keep the hair in good condition.

Scorching by hair dryer. 2 PRE - PIGMEmTION Test for Porosity Take a few strands of the client's hair and slide your thumb up the hair shaft towards the root. If the hair feels rough and resists this action it is probably porous. Also feel the hair when it is wet; porous hair will be extremely soft with a similar texture to cotton wool and will stretch unnaturally. It is impossible to achieve an even colour on porous hair by using a single colour. Two processes must be employed; one colour should be used on the roots where the hair is stronger, and for the middle lengths and ends use a colour bath, semi-permanent rinse or pre-pigmentation.

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