By Neil McMahon
Past due one scorching summer season evening, a stunning younger actress named Eden Hale -- basically hours faraway from breast-augmentation surgical procedure, and writhing in soreness -- stumbles to the phone and dials 911. inside mins, an ambulance rushes her to San Francisco's Mercy health facility. yet by the point she arrives, she is loss of life, quick, of a mysterious, unrecognizable situation. Dr. Carroll priests, the ER doctor on responsibility, races to kind via her baffling indicators within the couple of minutes he has left to avoid wasting her. priests has a unexpected perception and, opposed to the recommendation of his friends, hazards a thorough therapy, with the intention to turn out to be both a super maneuver or a almost certainly lethal mistake. It fails. Eden Hale, vibrantly fit and infrequently twenty-five years previous, is useless. The fallout is fast and extreme. The plastic medical professional who operated on Eden -- Dr. D. Welles D'Anton, whose acceptance as a surgical guarantor of perfection and agelessness has conferred on him a guru-like prestige -- blames clergymen for her demise. feedback from Monks's medical institution colleagues speedy follows and the specter of a lawsuit isn't really some distance in the back of. Monks's occupation is in jeopardy, yet his personal guilt and uncertainty are what hang-out him worst of all. confident there is a hidden reason to Eden's loss of life, clergymen starts off to delve into her prior. regardless of roadblocks that spring up in his course, he quickly learns that the previous promenade queen was once no longer the all-American lady she looked to be: she was once stuck up on the planet of pornography, and was once even, in all likelihood, having a bootleg affair with D'Anton. Then clergymen uncovers a mystery that's way more scary: different younger women in D'Anton's care have wound up lacking, lifeless, or horribly disfigured. In his look for the reality, clergymen is drawn right into a tradition of unbelievable wealth and self-esteem -- purely to find that he's getting used as a pawn in a decadent video game of glamour and cruelty, one who locations him within the crosshairs of a perilous psychopath. With To the Bone, Neil McMahon -- defined by means of the Chicago Tribune as "a move among Raymond Chandler and Thomas Harris" -- presents a heart-pounding trip right into a global of homicide and self-esteem long gone wild that you just will not quickly omit, and demonstrates why he is been referred to as "an writer to recollect" and "a author you are going to be listening to much about."
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Extra resources for To the Bone
Footsteps gave off faintly sinister echoes. The faded paint on the walls and the chipped floor tiles, intended to be complementary shades of off-white, had merged over the years into a monotone the color of yellowed teeth that no amount of cleansing or repainting could freshen for long. But research on the dead provided much of the knowledge that healed the living. Monks pushed open one of the morgue's double doors, gray steel except for small squares of glass at eye level, and stepped inside. The room was barren concrete, with drains in the floor and, along one wall, what looked like a row of giant filing cabinets.
McMahon is a more stylish writer than many medical-thriller authors--far superior, for example, to Robin Cook. His plotting is different, too: while there's plenty of medical detail, as the formula requires, he approaches the story as though it were a police procedural. Just like the good ol' gang at McBain's 87th Precinct, McMahon forces Monks to follow the clues one lead at a time. An excellent series propelled by solid plotting and an intelligent protagonist. David Pitt Copyright © American Library Association.
He scissored the end off a three-foot plastic IV tube, angling the cut, then snipping off its sharp point. Jackie took the other end and attached it to an IV bottle. "Get lab down here right away," he told the other nurses. "I want a full trauma panel on this woman. I need the hematocrit stat, and we'll want blood. " The paramedics were coming in fast, wheeling their stretcher. "We kept trying to get fluid into her, Doc," one said. " The woman was still unconscious, covered by a blanket and strapped down, eyes closed and head lolling to one side.